Though it featured one of the most recognizable luxury symbols, Alexander’s process for creating the piece was charmingly DIY. In keeping with Lil Kim’s exuberant tastes, these daring customizations often incorporated designer logos, most notably on the Chanel double C wig she wore in the pages of Manhattan magazine in 2001. “I’m grateful that I’ve been able to impact the culture and share my art in this way.” “It’s such an honor,” she shared on the phone from her Dallas home. Tapped by curators to recreate four of the most memorable creations from her extensive career, Alexander’s work now sits alongside heirlooms from the genre’s most influential artists. Hairstylist Dionne Alexander’s wigs are integral to the Baltimore Museum of Art’s T he Culture: Hip Hop and Contemporary Art in the 21st Century exhibition, which opens today. Kim’s iconic lavender wig at the 1999 Video Music Awards, Elliott’s finger waves, and MJB’s golden bouffant have all become part of popular culture, and now the woman behind all those looks-and countless others-is getting the ultimate honor. Blige, Lil’ Kim, and Missy Elliott, whose daring coiffures have become a part of their mystique. The trend towards outré hairstyles owes much to rap and R&B’s ’90s icons and the outré statements of Mary J. These viral beauty moments now happen regularly, but their popularity can be traced back to hip-hop’s leading ladies. In 2023 elaborate wigs and extensions are part of nearly every performer’s repertoire.
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